graphic violence что это
graphic violence
1 video games with graphic violence
2 do violence to
3 violence
сила, неистовство;
стремительность
4 graphic
graphic model мат. простра́нственная диагра́мма
5 graphic arts
6 graphic model
7 self-violence
8 violence
to do violence to. оскорбля́ть де́йствием, наси́ловать.
he did violence to his feelings он де́йствовал вопреки́ свои́м убежде́ниям
9 graphic
10 graphic
11 violence
12 graphic calculation
13 graphic statics
14 moment diagram obtained by graphic statics
15 domestic violence
The report documents the staggering amount of domestic violence against women. — Отчет содержит ошеломляющие данные по домашнему насилию над женщинами.
16 graphic approach
17 graphic
18 violence
We were all surprised at the violence of his anger. — Все мы были поражены его яростью.
He may accomplish by craft in the long run what he cannot do by force and violence in the short one. — Он может достичь за длительное время хитростью то, чего не смог добиться силой и принуждением за короткое время.
The recent outbreak/eruption of racial violence in the area is very troubling. — Последня вспышка расового насилия в этой области доставила много беспокойства.
19 violence
20 DVP (Domestic Violence Prevention)
См. также в других словарях:
Graphic violence — Extreme violence redirects here. For the computer game, see Extreme Violence. Graphic violence is the depiction of especially vivid, brutal and realistic acts of violence in visual media such as literature, film, television, and video games. It… … Wikipedia
violence — noun 1 hurting other people physically ADJECTIVE ▪ considerable, excessive, extreme, great, large scale, serious ▪ fresh ▪ There are fears of fresh … Collocations dictionary
Graphic — Graph ic (gr[a^]f [i^]k), Graphical Graph ic*al (gr[a^]f [i^]*kal), a. [L. graphicus, Gr. grafiko s, fr. gra fein to write; cf. F. graphique. See
Graphic algebra — Graphic Graph ic (gr[a^]f [i^]k), Graphical Graph ic*al (gr[a^]f [i^]*kal), a. [L. graphicus, Gr. grafiko s, fr. gra fein to write; cf. F. graphique. See
Graphic arts — Graphic Graph ic (gr[a^]f [i^]k), Graphical Graph ic*al (gr[a^]f [i^]*kal), a. [L. graphicus, Gr. grafiko s, fr. gra fein to write; cf. F. graphique. See
Graphic formula — Graphic Graph ic (gr[a^]f [i^]k), Graphical Graph ic*al (gr[a^]f [i^]*kal), a. [L. graphicus, Gr. grafiko s, fr. gra fein to write; cf. F. graphique. See
Graphic granite — Graphic Graph ic (gr[a^]f [i^]k), Graphical Graph ic*al (gr[a^]f [i^]*kal), a. [L. graphicus, Gr. grafiko s, fr. gra fein to write; cf. F. graphique. See
Graphic method — Graphic Graph ic (gr[a^]f [i^]k), Graphical Graph ic*al (gr[a^]f [i^]*kal), a. [L. graphicus, Gr. grafiko s, fr. gra fein to write; cf. F. graphique. See
Graphic tellurium — Graphic Graph ic (gr[a^]f [i^]k), Graphical Graph ic*al (gr[a^]f [i^]*kal), a. [L. graphicus, Gr. grafiko s, fr. gra fein to write; cf. F. graphique. See
VIOLENCE — As with many other elements of silent film, early Western stars depended more on style for displaying violence than on elaborate effects. When Broncho Billy Anderson and William S. Hart shot someone, the effect was real. The audience would… … Westerns in Cinema
Graphic violence
Graphic violence is the depiction of especially vivid, brutal and realistic acts of violence in visual media such as literature, film, television, and video games. It may be real, simulated live action, or animated.
The «graphic» in graphic violence is a synonym for «explicit», referring to the clear and unabashed nature of the violence portrayed; this is what differentiates true graphic violence from lesser forms of violence in media productions, including «cartoon» violence and «fantasy» violence.
Contents
Characteristics
Graphic violence generally consists of any clear and uncensored depiction of various violent acts. Commonly included depictions include murder, assault with a deadly weapon, accidents which result in death or severe injury, suicide, and torture. In all cases, it is the explicitness of the violence and the injury inflicted which results in it being labelled «graphic». In fictional depictions, appropriately realistic plot elements are usually included to heighten the sense of realism (i.e. blood effects, prop weapons, CGI). In order to qualify for the «graphic» designation, the violence depicted must generally be of a particularly unmitigated and unshielded nature; an example would be a video of a man being shot, bleeding from the wound, and crumpling to the ground.
Graphic violence arouses strong emotions, ranging from titillation and excitement to utter revulsion and even terror, depending on the mindset of the viewer and the method in which it is presented. A certain degree of graphic violence has become de rigueur in adult «action» genre, and it is presented in an amount and manner carefully deliberated to excite the emotions of the target demographic without inducing disgust or revulsion. Even more extreme and grotesque acts of graphic violence (generally revolving around mutilation) are often used in the horror genre in order to inspire even stronger emotions of fear and shock (which the viewing demographic would presumably be seeking).
It is a highly controversial topic. Many believe that exposure to graphic violence leads to desensitization to committing acts of violence in person. It has led to censorship in extreme cases, and regulation in others. One notable case was the creation of the US Entertainment Software Rating Board in 1994. Many nations now require varying degrees of approval from television, movie, and software rating boards before a work can be released to the public.
News media
News media on television and online video may cover violent acts. The coverage may be preceded with a warning, stating that the footage may be disturbing to some viewers.
Sometimes graphic images are censored, by blurring or blocking a portion of the image, cutting the violent portions out of an image sequence or by removing certain portions of film footage from viewing. However, more and more throughout the years, it has been a ploy for media companies to attract more and more viewers by trivializing various events like the ones mentioned above for shock appeal.
Video games
Violent content has been a central part of video game controversy. Because violence in video games is interactive and not passive, critics such as Dave Grossman and Jack Thompson argue that violence in games hardens children to unethical acts, calling first-person shooter games «murder simulators», although no conclusive evidence has supported this belief.
An example is the display of «gibs» (short for giblets [ 1 ] ), little bits or giant chunks of internal organs, flesh, and bone, when a character is killed. [ 2 ] This was prominently featured in and popularized by games such as Doom, Manhunt, Mortal Kombat and Conker’s Bad Fur Day, and, more recently, Gears of War and Left 4 Dead 2. Unreal Tournament included an Instagib game mode wherein a single shot causes the recipient to explode into gibs. Recently, the use of gibs has declined due to the ability to portray more realistic deaths (see also: ragdoll physics).
Текст песни Graphic Violence (Classic Jack) с переводом
I guess that’s the best way to describe it
Go to bed, and always dream of being haunted
With demons stuck inside of his conscience
I’m intense, but don’t forget a little bit violent
Wish they would take me home
I’m out here on my own
Don’t hold me to the flames cause I can’t see
Wish they would let me go
Don’t hold me underneath where I can’t breathe
I’m obsessed with wanting everything to be silent in my head
I dream of nothing but graphic violence
Like a kid, with demons peaking out of his closet
I’m intent, with letting all of them in my conscience
You don’t need to worry about me
Trying to control everything
For always pulling everyone’s strings
Wish they would take me home
I’m out here on my own
Don’t hold me to the flames cause I can’t see
Wish they would let me go
Don’t hold me underneath where I can’t breathe
Wish they would take me home
I’m out here on my own
Don’t hold me to the flames cause I can’t see
Wish they would let me go
Don’t hold me underneath where I can’t breathe
Перевод песни Graphic Violence
Думаю, это лучший способ описать это.
Ложись спать и всегда мечтай о том, чтобы быть преследуемым,
С демонами, застрявшими в его совести,
Я напряжен, но не забывай немного о жестоком
Желании, чтобы они забрали меня домой.
Не держи меня за пламя, потому что я не вижу
Желания, чтобы меня отпустили.
Я хочу побыть одна.
Не держи меня там, где я не могу дышать.
Я одержима желанием, чтобы в моей голове все было тихо.
Я не мечтаю ни о чем, кроме графического насилия,
Как ребенок, с демонами, выглядывающими из его шкафа,
Я намереваюсь, впустить их все в свою совесть.
Тебе не нужно беспокоиться обо мне.
Пытаться контролировать все, что
Потому что всегда тянешь за ниточки,
Жаль, что они не заберут меня домой.
Не держи меня за пламя, потому что я не вижу
Желания, чтобы меня отпустили.
Я хочу побыть одна.
Не держи меня там, где я не могу дышать.
Жаль, что они не заберут меня домой.
Не держи меня за пламя, потому что я не вижу
Graphic violence
From Wikipedia the free encyclopedia
Graphic violence refers to depiction of especially vivid, brutal and realistic acts of violence in visual media such as film, television, and video games. It may be real, simulated live action, or animated.
Intended limitedly for mature audience, the «graphic» in graphic violence is a synonym for «explicit», referring to the clear and unabashed nature of the violence portrayed.
Contents
Media [ edit ]
Graphic violence generally consists of any clear and uncensored depiction of various violent acts. Commonly included depictions include murder, assault with a deadly weapon, accidents which result in death or severe injury, suicide, and torture. In all cases, it is the explicitness of the violence and the injury inflicted which results in it being labeled «graphic». In fictional depictions, appropriately realistic plot elements are usually included to heighten the sense of realism (i.e. blood effects, prop weapons, CGI). In order to qualify for the «graphic» designation, the violence depicted must generally be of a particularly unmitigated and unshielded nature; an example would be a video of a man being shot, bleeding from the wound, and crumpling to the ground.
Graphic violence arouses strong emotions, ranging from titillation and excitement to utter revulsion and even terror, depending on the mindset of the viewer and the method in which it is presented. A certain degree of graphic violence has become de rigueur in adult «action» genre, and it is presented in an amount and manner carefully deliberated to excite the emotions of the target demographic without inducing disgust or revulsion. Even more extreme and grotesque acts of graphic violence (generally revolving around mutilation) are often used in the horror genre in order to inspire even stronger emotions of fear and shock (which the viewing demographic would presumably be seeking).
It is a highly controversial topic. Many believe that exposure to graphic violence leads to desensitization to committing acts of violence in person. It has led to censorship in extreme cases, and regulation in others. One notable case was the creation of the US Entertainment Software Rating Board in 1994. Many nations now require varying degrees of approval from television, movie, and software rating boards before a work can be released to the public.
On the other hand, some critics claim that watching violent media content can be cathartic, providing «acceptable outlets for anti-social impulses.» [1]
Film [ edit ]
Graphic violence is used frequently in horror, action, and crime films. Several of these films were banned from certain countries for their violence. The snuff film takes horror to its furthest extreme as torture and murder are not simulated.
Violence in films is not an old topic, recently a study presented in an annual American Academy of Pediatrics conference showed that the «good guys» in superhero movies were on average more violent than the villains, potentially sending a strongly negative message to young viewers. [2]
News media [ edit ]
News media on television and online video frequently cover violent acts. The coverage may be preceded with a warning, stating that the footage may be disturbing to some viewers.
Sometimes graphic images are censored, by blurring or blocking a portion of the image, cutting the violent portions out of an image sequence or by removing certain portions of film footage from viewing.
Music videos [ edit ]
Graphic and gory violence has started appearing in music videos in recent times, an example being the controversial music video for the song «Rock DJ» by British rock vocalist Robbie Williams, which features self-mutilation. Another example of a music video containing strong violence is the music video for the song «Hurricane» by American rock band Thirty Seconds to Mars and «Happiness in Slavery» by American industrial rock group Nine Inch Nails. The music video for «Forced Gender Reassignment» by American deathgrind band Cattle Decapitation displays such intense graphic violence that it is not hosted by many popular video hosting sites like YouTube and Dailymotion and is only hosted by Bloody Disgusting.
Video games [ edit ]
Violent content has been a central part of video game controversy. Because violence in video games is interactive and not passive, critics such as Dave Grossman and Jack Thompson argue that violence in games hardens children to unethical acts, calling first-person shooter games «murder simulators», although no conclusive evidence has supported this belief.
An example is the display of «gibs» (short for giblets [3] ), little bits or giant chunks of internal organs, flesh, and bone, when a character is killed. [4]
From Wikipedia, the free encyclopedia
Graphic violence refers to depiction of especially vivid, brutal and realistic acts of violence in visual media such as film, television, and video games. It may be real, simulated live action, or animated.
Intended limitedly for mature audience, the «graphic» in graphic violence is a synonym for «explicit», referring to the clear and unabashed nature of the violence portrayed.
Media
Graphic violence generally consists of any clear and uncensored depiction of various violent acts. Commonly included depictions include murder, assault with a deadly weapon, accidents which result in death or severe injury, suicide, and torture. In all cases, it is the explicitness of the violence and the injury inflicted which results in it being labeled «graphic». In fictional depictions, appropriately realistic plot elements are usually included to heighten the sense of realism (i.e. blood effects, prop weapons, CGI). In order to qualify for the «graphic» designation, the violence depicted must generally be of a particularly unmitigated and unshielded nature; an example would be a video of a man being shot, bleeding from the wound, and crumpling to the ground.
Graphic violence arouses strong emotions, ranging from titillation and excitement to utter revulsion and even terror, depending on the mindset of the viewer and the method in which it is presented. A certain degree of graphic violence has become de rigueur in adult «action» genre, and it is presented in an amount and manner carefully deliberated to excite the emotions of the target demographic without inducing disgust or revulsion. Even more extreme and grotesque acts of graphic violence (generally revolving around mutilation) are often used in the horror genre in order to inspire even stronger emotions of fear and shock (which the viewing demographic would presumably be seeking).
It is a highly controversial topic. Many believe that exposure to graphic violence leads to desensitization to committing acts of violence in person. It has led to censorship in extreme cases, and regulation in others. One notable case was the creation of the US Entertainment Software Rating Board in 1994. Many nations now require varying degrees of approval from television, movie, and software rating boards before a work can be released to the public.
On the other hand, some critics claim that watching violent media content can be cathartic, providing «acceptable outlets for anti-social impulses.» [1]
Graphic violence is used frequently in horror, action, and crime films. Several of these films were banned from certain countries for their violence. The snuff film takes horror to its furthest extreme as torture and murder are not simulated.
Violence in films is not an old topic, recently a study presented in an annual American Academy of Pediatrics conference showed that the «good guys» in superhero movies were on average more violent than the villains, potentially sending a strongly negative message to young viewers. [2]
News media
News media on television and online video frequently cover violent acts. The coverage may be preceded with a warning, stating that the footage may be disturbing to some viewers.
Sometimes graphic images are censored, by blurring or blocking a portion of the image, cutting the violent portions out of an image sequence or by removing certain portions of film footage from viewing.
Music videos
Graphic and gory violence has started appearing in music videos in recent times, an example being the controversial music video for the song «Rock DJ» by British rock vocalist Robbie Williams, which features self-mutilation. Another example of a music video containing strong violence is the music video for the song «Hurricane» by American rock band Thirty Seconds to Mars and «Happiness in Slavery» by American industrial rock group Nine Inch Nails. The music video for «Forced Gender Reassignment» by American deathgrind band Cattle Decapitation displays such intense graphic violence that it is not hosted by many popular video hosting sites like YouTube and Dailymotion and is only hosted by Bloody Disgusting.
Video games
Violent content has been a central part of video game controversy. Because violence in video games is interactive and not passive, critics such as Dave Grossman and Jack Thompson argue that violence in games hardens children to unethical acts, calling first-person shooter games «murder simulators», although no conclusive evidence has supported this belief.
An example is the display of «gibs» (short for giblets [3] ), little bits or giant chunks of internal organs, flesh, and bone, when a character is killed. [4]