Измерим уровень. Что за странный прибор?!
Что это за странный прибор?! Явно для того чтобы что-то измерять. А что именно?! Это и будет загадкой. Она совсем не сложная. А условия прежние. Тот кто первым даст верный ответ, тот получит призовые 20 жетонов.
Верный ответ, также как и имя победителя будут названы завтра.
Курьёзные ответы приветствуются 🙂 Пусть всем будет весело и интересно.
Первой верный ответ назвала iampuding
Ей и отправлены призовые двадцать жетонов
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applause meter
1 applause
2 applause
3 meter
измеритель;
счетчик;
измерительный прибор;
to read the gas (electric) meter снимать показания газового (электрического) счетчика
счетчик meter амер. = metre metre: metre метр (мера)
размер, ритм, метр (в стихосложении, музыке) parking
счетчик платы за парковку postage
измеритель;
счетчик;
измерительный прибор;
to read the gas (electric) meter снимать показания газового (электрического) счетчика supply
счетчик поставляемых товаров volume-unit
4 water meter
5 water-meter
6 applause
7 burst of applause
8 contamination meter
9 elicit applause
10 exposure meter phot.
11 gas-meter
12 meter
to read the gas (electric) meter снима́ть показа́ния га́зового (электри́ческого) счётчика
13 parking meter
14 rise in applause
15 round of applause
16 water-meter
17 applause
18 doserate meter
19 meter
20 meter
См. также в других словарях:
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MUSIC — This article is arranged according to the following outline: introduction written sources of direct and circumstantial evidence the material relics and iconography notated sources oral tradition archives and important collections of jewish music… … Encyclopedia of Judaism
Barack Obama Tucson memorial speech — President Obama speaks in honor of the victims of the 2011 Tucson shooting. President of the United States Barack Obama delivered a speech at the Together We Thrive: Tucson and America memorial on January 12, 2011, held in the McKale Center on… … Wikipedia
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applause
No applause was heard — Аплодисментов не последовало/что-то не было слышно.
Not much applause followed — Последовали жидкие аплодисменты.
Смотреть что такое «applause» в других словарях:
Applause — (Latin applaudere, to strike upon, clap) is primarily the expression of approval by the act of clapping, or striking the palms of the hands together, in order to create noise. Audiences are usually expected to applaud after a performance, such as … Wikipedia
applause — applause, acclamation, acclaim, plaudits denote public expression of approbation. Applause usually suggests loudness or liveliness of demonstration and often carries its literal implication of clapping hands Applause — (Vingláfia,Греция) Категория отеля: Адрес: Neápolis, Vingláfia, 23053, Греция … Каталог отелей Applause — Comédie musicale de Rouben Mamoulian, avec Helen Morgan (Kitty Darling), Joan Peers (April Darling), Fuller Melish Jr. (Hitch Nelson), Henry Wadsworth (Tony), Jack Cameron (Joe King), Dorothy Cumming (la mère supérieure). Scénario: Garrett… … Dictionnaire mondial des Films applause — index mention (tribute) Burton s Legal Thesaurus. William C. Burton. 2006 … Law dictionary applause — (n.) early 15c., from L. applausus, pp. of applaudere approve by clapping hands (see APPLAUD (Cf. applaud)) … Etymology dictionary applause — [n] clapping; expression of approval acclaim, acclamation, accolade, approbation, big hand, bring down the house*, cheering, cheers, commendation, eulogizing, hand, handclapping, hurrahs, kudos, laudation, ovation, plaudits, praise, rooting,… … New thesaurus applause — ► NOUN ▪ approval shown by clapping … English terms dictionary applause — [ə plôz′] n. [L applausus, pp. of applaudere, APPLAUD] approval or praise, esp. as shown by clapping hands, cheering, etc … English World dictionary applause — noun ADJECTIVE ▪ deafening, loud, thunderous, tumultuous (esp. BrE) ▪ enthusiastic, rapturous, warm, wild ▪ … Collocations dictionary Приложение для мобильного заработка без усилий. Утилита позволяет получать баллы за участие в исследовании интернет сервисов и обменивать на реальные деньги. Appmeter – Android приложение для исследования рынка мобильных сервисов. Через него можно помогать получать данные о том, как люди пользуются интернетом, чтобы сделать его более удобным и интересным. Приложение позволяет зарабатывать баллы, которые впоследствии можно обменять на реальные деньги по аналогии с программой VMoney. Для этого понадобится установить утилиту и предоставить разрешения на: сбор данных, активацию VPN, запись аудио, специальные возможности и оптимизацию батареи. По заявлению разработчиков, вся информация находится в полной безопасности и будет использована только в обобщенным виде. После установки приложения на счет ежедневно начнет поступать по 10 баллов. Для этого необходимо держать утилиту в фоне и периодически проверять ее работу. Каждый балл оценивается в один рубль. Активным пользователям начисляются дополнительные бонусы. Если в течение семи дней подряд заходить в приложение, можно получить еще 20 баллов. Для использования приложения необходимо зарегистрироваться по номеру телефона и заполнить анкету. Требуется указать дату рождения, пол, город и ответить на несколько вопросов. После заполнения данных на счет поступит 30 баллов. Есть возможность получить еще 120, ответив на все вопросы в анкете. Приложение выпущено компанией Mediascope, которая с 1994 года проводит исследования российской аудитории, средств массовой информации и интернет ресурсов. Согласно данным разработчиков, в проекте ежедневно принимает участие более 10 тысяч человек из разных городов и сел. Следует учитывать, что для корректной работы приложения смартфон должен быть подключен к сети. Kendrick KayB Brown, Gwen Harris, Rachel Hemphill Dickson and Michelle Harrell in Front Porch Society. Photo by ANYCOLE. Front Porch Society Written by: Melda Beaty Directed by: Eileen Morris Company: The Ensemble Theatre Run Dates: Through June 4, 2017 Read my review of Front Porch Society for Houston Press at Cameron William Davis, Danielle Kristen Bunch, Alan Titel, Giovanni Sandoval and Blake Alexander Weir in 1984. Photo by Pin Lim. 1984 Adapted by: Michael Gene Sullivan Directed by: Tom Stell Company: Obsidian Theatre Run dates: June 17, 2017 Ready my review of 1984 for Houston Press at Emma Hunton and Chris Ramirez in Disney’s Freaky Friday. Photo by Jim Carmody. Freaky Friday Book by: Bridget Carpenter Music by: Tom Kitt Lyrics by: Brian Yorkey Company: Alley Theatre in association with La Jolla Playhouse and Cleveland Play House Run dates: Through July 2, 2017 Read my review of Freaky Friday for Houston Press at Kate Shindle as Alison and Robert Petkoff at Bruce in Fun Home. Photo by Joan Marcus. Fun Home Music by: Jeanine Tesori Book and Lyrics by: Lisa Kron Directed by: Sam Gold Presented by: Theatre Under the Stars Run Dates: Through May 28, 2017 Read my review of Fun Home for Houston Press at Carolyn Johnson and Tanith Albright in Stages Repertory Theatre’s production of Luna Gale. Photo by Jon Shapley. Luna Gale Written by: Rebecca Gilman Directed by: Seth Gordon Company: Stages Repertory Theatre Run Dates: Through May 28 Read my review of Luna Gale for Houston Press at Joseph “Joe P” Palmore and Adam Gibbs star in Lobby Hero at 4th Wall Theatre Co. Photo by Gabriella Nissen. Lobby Hero Written by: Kenneth Lonergan Directed by: Kim Tobin-Lehl and Jennifer Dean Company: 4th Wall Theatre Company Run Dates: Through June 3 4thwalltheatre.com Read my review of Lobby Hero for Houston Press at John Forgy, Brad Goertz and Brian Chambers in The Chosen. Photo courtesy of The Evelyn Rubenstein JCC. The Chosen Written by: Chiam Potok and Aaron Posner Directed by: Linda Phenix Company: Theater LaB in production with TheEvelyn Rubenstein JCC. Run dates: Through May 21, 2017 Read my review of The Chosen for Houston Press at Leslie Lenert as Maryka, Precious Merenu as Hamida, Yemi Otulana as Hawa and Manuel Abascal Jr. as Carlos.Photo by Troy Scheid. In Darfur Written by: Winter Miller Directed by: Troy Scheid Company: The Landing Theatre Company Run dates: Through May 13, 2017 Read my review of In Darfur for Houston Press at Catastrophic Theatre’s production of Snow White. Photo by Anthony Rathburn. Snow White Written by: Donald Darthelme Adapted and Directed by: Greg Dean Company: Catastrophic Theatre Run Dates: Through May 6, 2017 Absolutely possible to be eagerly impressed with a production and yet utterly unmoved by the play. My reaction to Barthelme’s Snow White. And yet, still, I was left cold. So what gives? Turns out, it wasn’t just me asking the question. After my tweet, I heard from more than a couple curious folks urging me to elaborate. Including some involved with the production. So while I hadn’t planned on writing about the show, I feel compelled to at least say something. It’s taken me a couple days to really think about how I wanted to express myself on this. A review seemed the wrong method. I could easily go on and on about how Greg Dean (the adapter and director of the show) and his team have done wonders bringing this narratively muddy and non sequitur riddled story to life on stage. Through magnificently deviceful and evocative set design, sound, music, costume, lighting and video projection, we are treated with oodles of gloriously clever post-modern mood and atmosphere. From a shower room orgy scene to a mid-show audience survey to a gorgeous umbrella-accompanied New Orleans-style funeral march to angsty phrases projected on a scrim that sits in front of the show’s ever vaping shadowy narrator, the production is a stunner at every turn. But I’m here to talk about what didn’t move me rather than what did. And I think it comes down to this – I just don’t dig Barthelme’s writing. I know, I know….blasphemy! How dare I decry the acclaimed short story writer that called Houston both his part time home and creative/professional outlet. Shame on me that the man they call genius for his absurd style (and who many refer to as the Beckett of Houston) leaves me so indifferent. Trust me, I’m not thrilled about it either. But I am willing to try to explain. Where others extract provocative and incendiary from this story, I see overly cute. That the seven men refer to Snow White as a “horsewife” and that she herself refers to her “venereal life” may seem like clever word play to some, but for me it smacks of someone laboring to be witty. While some see the projected titles like THE FAILURE OF SNOW WHITE’S ARSE or THINGS SNOW WHITE IS AFRAID OF as clues plugging in the abundance of narrative holes, I roll my eyes at the pretension. Wordy passages project throughout the show, ghosts of Barthelme’s original text. But while a Freudian passage, for example, in itself may be enlightening, it’s juxtaposition to the story feels like a grad student wildly throwing up his latest intellectual ‘connect the dots’ in an effort to show off how scholarly he’s become. Stop trying so hard, I wanted to shout at the stage. Apart from the aggravated state these literary antics stirred in me, I also took exception to the humor – meaning that I didn’t find it at all funny. Sure having the seven men split their work time between washing all the buildings in the area and running a highly successful Chinese baby food factory is….different….I didn’t find it laugh worthy. Especially not the “Oriental” fan dance the men do whilst naming off all their products for what seems like an eternity. Not because of the political incorrectness. No doubt there’s that. But because, absurd as it may be, it didn’t strike me as sly enough or in any way veiled to elicit a clever or satisfying meaning. It simply was what it was and what it was for me was a dud. As for Barthelme’s supporting characters – for sure some curious takes. Paul, the “Prince Charming” character wants neither to be a Prince nor to step gallantly forward and save Snow White from her housekeeping/sex slave prison, so he becomes a monk. Hogo de Bergerac, described as the most loathsome man around (truly not as bad as I wanted him to be) acts (perhaps) as a kind of Magic Mirror to all those he counsels. But neither character, though written to elicit laughs in their broadness tickled me one bit. And neither character, with their metaphoric layers about responsibility and opting out felt all that revelatory. I got it…I was just less than whelmed. As I was with Snow White herself, complicit in her slavery yet not unhappy enough to leave unless the suitor’s pedigree is up to snuff. Bill, the head of the seven men, doesn’t want her anymore. He’s grown not unfond, but unattracted. Yes this says much about the toll time takes on our fantasies and how even when we don’t want someone we still want to be wanted. But once again it’s all layered in wordy absurdity that frustrates far more than it enchants with dialogue either fading off into nothingness or rambling on to tiresome effect. In fact, the only character that intrigued me at all was Jane, the wicked witch. I’m not sure for what reason exactly she killed her mother or why we need a gorilla-familiar to interject on her behalf, but watching her dial up random strangers and threaten them with knowing their phone numbers was a deliciously witty creation. Power is in the perception. Her ultimate poisoning attempt on Snow White is expected, but the joy she takes in the emotional journey that gets her to that place is sublime. Accepting malice is her theme and it could easily inform any modern day mean girl/girl power anthem. So why isn’t the rest of the writing as tightly formed with such timeless appeal? I don’t have the answer for that. And you may think my answer for why, as a play, Snow White, didn’t float my boat shows limited scope on my behalf. Perhaps you’re right. Or perhaps this is just one of those cup o teas or not kind of narratives. By way of close, I’ll relate a conversation I had with an arts writer friend of mine who is an enthusiastic fan of both Barthelme’s writing and this production of Snow White. A native Houstonian, she explained that some of her love comes from her days studying mid-20 th century American literature in school. After slogging through the staunch realism of Carver and Hemingway, she said, it was such a delight to wiggle your toes in the absurdity of Barthelme’s work. Like a breath of fresh air. All I can say in response is that I wish I could see this one through her eyes.Appmeter
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Your review guide to Houston’s theater scene
Front Porch Society – Houston Press Review
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1984 – Houston Press Review
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Freaky Friday – Houston Press Review
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Fun Home – Houston Press Review
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Luna Gale – Houston Press Review
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Lobby Hero – Houston Press Review
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The Chosen – Houston Press Review
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In Darfur – Houston Press Review
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Some thoughts on Barthelme’s Snow White












